Going through all these Children of the Corn movies for October of the Corn, we see that the movies so far have covered a lot of ground (or, as much ground as you can cover when the main focus is a creepy kid cult). We've had the cult be active in the modern day and also a relic of years past. We've had the setting be a corn field and also urban Chicago. We've had the cult led by children, and also an adult who happened to have once been one of those kid leaders. And now we come to Children of the Corn: Revelation, a movie about the ghosts of the cult haunting... an apartment complex. Man, moments like this really hammer home that this is no one's favorite franchise.
I was kind of right! Score half a point for me! In the The Scorpion King 3: Battle for Redemption post, I said I'd be pissed if Cobra/Silda and her people were killed off between movies, and they... might have been? They're never mentioned, Mathayus' new kingdom is never mentioned, and anything tying this to the previous movie has seemingly been scrubbed away. I mean, except for keeping Mr. Victor Webster as the Scorpion King. Like... why keep the actor if you're not keeping almost any other form of continuity?
So what do we know about Mothman? Seen around Point Pleasant, West Virginia from 1966-67, it would swoop down and stare at people with its glowing red eyes. Generally described as a tall gray shape with no discernible head and giant wings, its sightings seemingly stopped after the December 15, 1967 Silver Bridge disaster that killed 46 people. And depending on where you go on the internet, it's the loving monster boyfriend to many. Mothman is an iconic cryptid, so it's such a shame that so many movies about it fucking suck.
So X-Men: The Last Stand was not very good. I know, the hottest of hot takes. So I'm sure the stakes while making X-Men Origins: Wolverine were high as a result. 20th Century Fox needed to this to be good, damn it! This could be the start of an entire X-Men Origins, or possibly lead to an X-Men 4! That's obviously not what happened, in part because this film was... Well, I'll hold off on my opinion 'til later for dramatic effect.
I recently talked about the supposed trilogy pattern of "first is fine, second is superb, third is terrible," so it's interesting to watch a trilogy that breaks that pattern. 1999's The Mummy is a great movie that people love, while The Mummy Returns... exists.
Shark Week is wrapping up, and so are the Mega Shark movies. Well, until Mega Shark vs Moby Dick, which is supposed to come out in 2021 but that's Future Chwineka's problem. Until then we've reached the end of this franchise, and this last entry... didn't suck? It was bad, don't get me wrong, but bad in a lot of the the right ways.
I really have to stop thinking, "This is the worst Mega Shark movie yet," when there are still more to go. This has been a rough Shark Week, but it's all self-inflicted so... sucks to be me! Anyway, I will start this by saying that in the years since Mega Shark vs. Crocosaurus, the special effects have improved! The mega shark actually sometimes looks good! But there's always a cost, and this time the cost is that everything else is very bad.
We’re back with another Mega Shark movie in honor of Shark Week! Our fearsome foe somehow survived his battle with the giant octopus and is back to eat crocodile eggs and kick ass, and he’s running out of croc eggs. There’s a lot wrong with this movie, so let’s jump right in.
Ha ha HA!! You thought I’d be reviewing the X-Men First Class quadrilogy, didn’t you? First of all, I’m gonna review the Wolverine movies first, but more importantly it’s Shark Week! And while reviewing the Jaws quadrilogy was an option, Tubi had all 4 Mega Shark movies for free. So here we are, watching yet another bad Asylum film. Quite possibly more in my wheelhouse than watching comic book movies.
Alright, now we’re cooking! It’s taken roughly 10,000 years, but we’ve reached The Mummy movies that people have actually heard of. Sure, it was nice to see what came before and the origins of characters/names Mr. Stephen Sommers pulled from, but we’ve had enough of these movies taking themselves seriously. Show me some Brendan Fraser scaring the villain off with a cat!