I've talked about this before, but The Asylum is a film company known for ridiculous movies like Sharknado and a ridiculous amount of knock-offs. Mockbusters, if you will. Back in 2005, Blockbuster--remember when that was relevant?--accidentally ordered 100,000 copies of HG Wells' War of the Worlds instead of the Stephen Spielberg film that came out the same year, War of the Worlds. From there the company just went wild, creating knockoffs like Atlantic Rim, Sunday School Musical, and in this particular case, Almight Thor to go up against Marvel's Thor. The God of Thunder is technically in the public domain, so why not!
Is it weird to say that I missed watching bad movies? Probably, but back when I could safely have people over at my place (what seems like a hundred years ago), bad movies were the staple of Movie Night. We'd sit around and riff on them, finding enjoyment more through our own senses of humor than whatever lame thing was on the screen. But I watched this alone, with only my growing disappointment as company. I swear we watched It Waits a decade ago--literally this time--but all I could remember was hating a parrot? Turns out that's all that's memorable about this direct-to-DVD flick.
February is almost over, so now would be a good time to announce that March is going to be another event month! Every weekday I will be talking about a different movie in the Marvel Cinematic Universe, so it's MCU March! I'm kicking off this endeavor with a little prologue: 2003's Hulk movie, which is not actually a part of the MCU as it was produced by Universal Studios before Iron Man started the franchise rolling, and 2008's The Incredible Hulk is a reboot for the character. But it's an infamous Marvel movie I hadn't seen, so let's fix that!
The letter Q vexes me. Not only is it associated with one of the most batshit political conspiracies AND is a nightmare in Scrabble--seriously, how hard would it be replace the tile with "Qu" and save everyone the hassle--but in the entire first year of this blog I never got around to reviewing a movie that started with Q. But I'm here today to solve two of these problems! The first is that "QI" is a recognized word in the official Scrabble dictionary with the definition, "The vital force that in Chinese thought is inherent in all things," in case your relatives call bullshit. The second is Queen: The Awakening, an low budget vampire movie that IMDB doesn't recognize as existing. But it's on Tubi and Letterboxd, so it counts!
How can I devote a month to some of the worst movies ever and not talk about Birdemic: Shock and Terror? I actually own this film (but it's also available on Tubi because of course it is) and somehow managed to not get around to it during the first year of this blog. But that oversight has now been remedied! Birdemic is infamous for being up there with The Room in terms of completely inept filmmaking. It boldly asks the question, "What if The Birds was mixed with An Inconvenient Truth with the worst CG birds you've ever seen?" It is, for lack of a better word, art.
One of my problems with the IMDB Bottom 100 list is that you need to meet a minimum number of ratings in order to qualify. For example, Diary of a Cannibal (the worst movie I've ever seen) has an IMDB rating of 1.4, lower than Disaster Movie, the movie in the #1 spot on the list with a score of 2.0. But Disaster Movie has almost 87 thousand ratings, while Cannibal has (as of writing) 746. There are so many movies worse than Disaster Movie but they don't have enough views to show up on official "worst" lists. All this is leading to the fact that The Amazing Bulk is an amazingly bad movie that hasn't made enough of a splash to make it on many lists. But trust me, it's BAD.
I want to start by saying that we have a lot to thank Robert Zemeckis for. He wrote and directed Back to the Future, its sequels, and directed the... Back to the Future Saturday morning cartoon? That has to be a typo. Anyway the man is a legend! Buuuuut... holy crap, his animated movies are unpleasant to look at. It also doesn't help that the story at the heart of The Polar Express is also pretty blah.
And here we are at last: October of the Corn has reached the final movie of the Children of the Corn franchise. I mean, at least for now as even coronavirus apparently can't stop the upcoming reboot. But Children of the Corn: Runaway is an interesting one as it's a sequel to 2009's Children of the Corn made-for-TV reboot, but made after Children of the Corn: Genesis, which by all accounts appears to be in the original continuity. Then again, if Scorpion King: Book of Souls can come out after Tom Cruise rebooted The Mummy, the sky's the limit! Enough faffing about, let's finish this franchise.
Going through all these Children of the Corn movies for October of the Corn, we see that the movies so far have covered a lot of ground (or, as much ground as you can cover when the main focus is a creepy kid cult). We've had the cult be active in the modern day and also a relic of years past. We've had the setting be a corn field and also urban Chicago. We've had the cult led by children, and also an adult who happened to have once been one of those kid leaders. And now we come to Children of the Corn: Revelation, a movie about the ghosts of the cult haunting... an apartment complex. Man, moments like this really hammer home that this is no one's favorite franchise.
I was kind of right! Score half a point for me! In the The Scorpion King 3: Battle for Redemption post, I said I'd be pissed if Cobra/Silda and her people were killed off between movies, and they... might have been? They're never mentioned, Mathayus' new kingdom is never mentioned, and anything tying this to the previous movie has seemingly been scrubbed away. I mean, except for keeping Mr. Victor Webster as the Scorpion King. Like... why keep the actor if you're not keeping almost any other form of continuity?