Highlander (1986)

Some movies become so ingrained in the cultural collective that we almost forget they're a movie. Like, my friend had never seen Highlander and knew next to nothing about it, but even he had heard, "There can only be one." But Highlander is indeed a movie, and one I hadn't seen in something like two decades, so I figured it was time to rewatch it. And it was totally worth it, if no other reason than I got to see goth biker Mr. Clancy Brown. You can see it, but I'm swooning.

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Becky (2020)

I feel like I usually have a fairly good idea on what a movie is about just from the premise. Not specifically every twist and turn, but for the most part I can watch a trailer and figure out if the movie's going to be a trainwreck or not. And I absolutely expected Becky to be a disaster. All you have to do is look at Mr. Kevin James and the swastika tattoo on the back of his head! Paul Blart as a neo-Nazi, trying a serious role? Bound to be a disaster. So imagine my surprise when this movie was not only not bad, but actually kind of good...

Time Bandits (1981)

You know it's been a hell of a week when Movie Night is just dedicated to actors who have recently died. Case in point, Mr. David Warner passed away at the age of 80, just shy of his 81st birthday (which is today, by the way). There were so many things we could've watched to remember him--one friend suggested Tron, I had In the Mouth of Madness queued up, and there was the possibility of just watching several episodes of Batman: The Animated Series that featured Ra's al Ghul. But in the end it turned out that most of us hadn't seen Time Bandits, so we went with that. And it was goofy fun!

Life (2017)

I will never not be amazed at how some movies just... sneak past me. Like sure, movies come out all the time and sometimes I'm just not paying attention, but how did a movie from 5 years ago starring Mr. Jake Gyllenhaal and Mr. Ryan Reynolds slip by? And it's a sci-fi horror? This feels like an intentional slight and I will not stand for it.

Scream (1996)

Good heavens, would you look at the time! Why, it's time for a franchise! And how very topical, since Scream--which is what we're calling the fifth movie because sure, why not--is coming out this month and I'm... um... hm. Okay, so the original plan for January was to watch movies by Mr. Ulli Lommel, who I fucking hate because he made some of the worst garbage I've ever seen. Then I found out that Scream was coming out on the 14th, so I canceled those plans and pivoted to the Scream franchise with the intent of wrapping it all up with the new movie. And then the Omicron variant hit and I can't shake a stick without hitting someone who's caught COVID in the past two weeks. In person hangouts are being trashed and the thought of going to a theater is just... it's too risky. But I'd already watched the first two films in anticipation of this, so here we are. 2021 is off to a great start.

Luca (2021)

The world is--arguably--a more progressive place than it was in the past. People feel safer to be their true selves--although again, that varies from place to place, so just imagine that every positive statement in this opening comes with a little asterisk next to it. And that openness is reflected in media, with queer characters appearing more and more frequently, even in stuff for kids. Enter Luca, a story about coming out and the hostility one may face in living their life.

Ghosting: The Spirit of Christmas (2019)

The first time I heard the premise of Ghosting: The Spirit of Christmas, I though it was hilariously fucked up. Now, when most people hear the word "ghosting," they think of ditching someone without saying a word. And yes, that is a plot element here: a girl goes on a date with a guy and then ghosts him. The catch is THAT SHE FUCKING DIED. SHE GHOSTED HIM BECAUSE SHE DIED AND IS NOW A GHOST. That's macabre! And hilarious! And it's a Christmas movie? Sign my morbid ass up!

House (1977)

As I said in the Eraserhead post, I watched a double feature of films made in 1977 by first-time directors that were surreal as all hell and part of the Criterion Collection. How very specific, but that applies to Eraserhead just as much as Hausu, AKA House. Director Mr. Nobuhiko Obayashi had previously worked on commercials, and that comes across in how bizarre and at times episodic the film feels.

Eraserhead (1977)

A while back, the Criterion Collection had a sale and I bought a couple DVDs that I'd had my eye on. I've already reviewed a few of the movies I picked up, namely The Life and Death of Colonel Blimp and Beau Travail. But I'd been sitting on the rest for a while now, and it's been a growing annoyance in the back of my skull. So I'm finishing up this week with a light theme! I'm going to be talking about 2 movies I picked up from the Criterion Collection that are surreal experiences from first-time directors released in 1977, starting with Mr. David Lynch's Eraserhead. Yup, that very specific description applies to more than one cult classic.

Eternals (2021)

I want to start by saying that I enjoyed Eternals. I went in with some fairly low expectations after all the mixed reviews, but I thought it was better than expected. It was fun--and not in a "so dumb it wraps back around to enjoyable" way--and despite the long run time, I never really felt it drag. But there be spoilers ahead, so keep reading at your own discretion. Like the header said, I won't spoil the big moments, but still.