There's something about franchises--particularly big horror franchises--where it sure seems like each one has a film that just refuses to stick in my head. I wrote about Children of the Corn: The Gathering just last year, but even then I still only remember the barest of details without looking at the post. Something about a fever...? In that same vein, was it Leprechaun 2 or Leprechaun 3 where he was at a pawn shop? And A Nightmare on Elm Street 4: The Dream Master is just a total blank to me. The point being I've seen all 10 Hellraiser films before, but had no memory of what the hell Hellraiser: Deader was about. But now I've rewatched it and can safely say that I'll most likely forget every detail of this boring movie--again--by next month, if not next week.
Whoa! We're halfway there! The Hellbound Halloween continues with the fifth movie in the Hellraiser franchise, Hellraiser: Inferno. This is the first film in the series not to be released in theaters, and also the first where it's really, really obvious that this was originally an unrelated script before the cenobites were tacked on. As a result the execution is... polarizing. It's a very strange movie, but I think I can safely say it's the best Silent Hill film yet!
Welcome back to the Hellbound Halloween! Today's entry is the fourth film in the Hellraiser franchise, Hellraiser: Bloodline. Man, we're making good time with all this--four down and only six more to go. At this rate I'll be done well before October is over! Hm, if only I had planned for that eventuality and had some tricks up my sleeve... Anyway, let's talk about a film directed by Alan Smithee. Oh, that's never a good sign.
I've seen all ten Hellraiser movies before, but most of them were a long time ago. I remembered the first two adhering to Mr. Clive Barker's vision and being pretty good, the last two were absolute dog shit, and the ones in the middle were hit or miss. So I went into Hellraiser III: Hell on Earth not expecting much. They're brining back Pinhead after his noble sacrifice in Hellbound: Hellraiser II? Already starting on a bad foot. But turns out this was better than I remember, in part because it has something intersting to say about abusive relationships.
The Hellbound Halloween continues! It's a reference to The Hellbound Heart, the story by Mr. Clive Barker that Hellraiser is based on, by the way. This is the last film in the franchise that Barker had a direct hand in, which is a little concerning since it's only the second film. Yup, from here on out the quality steadily decreases--although I remember Hellraiser: Inferno being decent--until we hit the bottom of the barrel with the last two. But that's something we'll touch on later in the month; right now let's end Julia's reign of evil!
Happy Halloween... month! It's October, which basically means it's already Halloween. It also means it's time to whip out my annual "review a horror movie each weekday while also covering a big horror franchise" event! This is a spiritual successor to “Chwineka Watches 31 Netflix Horror Movies for October” (or CW31NHMO for short), so don't expect a concise name for the idea as a whole from me. Anywho, the second annual event is The Hellbound Halloween, where I cover all 10 currently released Hellraiser movies and a few more morsels from Mr. Clive Barker. So let's dive into what's probably the horniest big horror franchise out there!
The week of “movies I’ve been dragging my feet on watching” is wrapping up, so let's watching something that I was putting off because I knew it would make me uncomfortable! The premise of The Breeding is pretty simple: a white racist kidnaps a black gay man with the intention of torturing him until he submits to being a slave. Thank god this was written/directed by people of color, because if a white man was behind it I would cringe myself into oblivion. Based on that premise alone, I'm reiterating the warning at the top of the page: viewer discretion is advised, because sexual assault and racism against people of color is baked into the premise.
I have a general policy to never say that a movie featuring Daniel Baldwin is “good.” That also applies to Billy Baldwin, but that’s off topic. Anyway, The Asylum’s special brand of “mockbusters” are typically pretty bad and it’s generally safe to say that they all suck. But every once in a while… there’s one that sucks slightly less than the others.
I'm gonna start this post with a "compliment sandwich." It's the thing where you sandwich your negativity between two pieces of positivity. Okay, so... This is a very well made movie; the story is engaging, the cinematography is on point, and I cannot say that this movie is bad. Next up, this is one of the most uncomfortable movies I have ever sat through, and watching it with other people is a recipe for awkward silence. And to wrap it up, the soundtrack is banging!