Leading up to talking about horror movies every weekday in October I got a Shudder account. If you don't know what that is, it's a streaming service that caters specifically to the horror genre. That's actually where I watched Mandy after Amazon was a lagging piece of garbage! I don't know if I'll keep with it after the free month is over, but in the mean time it has been interesting to watch some Shudder exclusives like 2020's Spiral, a queer horror thriller! Not to be confused with 2021's Spiral, which is the revival of the Saw franchise.
I count myself lucky that my family isn't too crazy. Sure, we have members like "the one who's always drunk," but things could definitely be worse. Like, oh, for example, my mother didn't have dissociative identity disorder and then died in hospice care, my father didn't die from self-inflicted starvation, and my (nonexistent) brother didn't suffer from schizophrenia before hanging himself! Oh, and I also don't have a tense relationship with my (also nonexistent) children because one time I almost burned them alive while sleepwalking. Man, wouldn't it suck to have that kind of baggage!
What's this? A surprise Thursday post? That's right, it's time for another month-long event! Every weekday in October I'll have a horror movie post ready for you, dear reader(s). In previous years I've done personal things like "Chwineka Watches 31 Netflix Horror Movies for October" (or CW31NHMO for short), but ain't nobody got time for posting EVERY day. Also I have far more streaming services at my fingertips, so movies will be coming from all over the internet. Anyway, let's start the month off with something actually good: Robert Eggers' second movie, The Lighthouse.
What's worse than a Mothman movie with a bad Mothman? A Mothman movie that doesn't have any Mothman! Yeah, we're still on America's second favorite cryptid (I'll get to you another day, Bigfoot), and today's movie is just... bad. Astonishingly bad. So bad that I'm skipping a normal recap and just ripping right into the fucker.
I know that one or two of you were expecting an X-Men: First Class review to happen this week, but I need a break from big budget franchises (not stopping Mummy Mondays though, sorry not sorry). Why watch movies that people have actually heard of when I can go back to talking about the weirdest shit no one but me cares about? Gotta stick to my brand! With that out of the way, today I'm talking about a movie I've mentioned previously on this blog: Honeymoon.
Look, I’m still a bit mad about Cube²: Hypercube, but I’m really mad that this is a prequel and not a sequel. Sure, it would be pretty hard to raise the stakes on the insanity that was the previous movie, but YOU HAD THE CHANCE TO CALL THIS MOVIE CUBE³–AKA CUBE CUBED–AND YOU DIDN’T! DISHONOR ON YOU! DISHONOR ON YOUR COW!!
Don’t you love it when a sequel comes out and has practically no cast or crew in common with the original? I don’t! That’s how we get shit like American Psycho II: All American Girl, where a small child kills Patrick Bateman at the very beginning and the rest of the movie is Ms. Mila Kunis killing anyone in the way of her becoming Mr. William Shatner’s teaching assistant! Weird non-sequitur, right? We’ll come back to that…
What time is it? Looks like it’s time for a mini-event! I want to cover some trilogies (and a tetralogy or two) so expect bonus posts on Thursdays for a few weeks. And we’re starting with a series near and dear to my heart: Cube! And my “near and dear to my heart,” I mean that I saw the first one something like 20 years ago, vaguely remembered the ending, and never saw the other two. Look, I got a notification that Tubi was removing all three films by the end of July, so that lit a fire under my ass, and here we are.
The week of “movies I’ve been dragging my feet on watching” is wrapping up, so let's watching something that I was putting off because I knew it would make me uncomfortable! The premise of The Breeding is pretty simple: a white racist kidnaps a black gay man with the intention of torturing him until he submits to being a slave. Thank god this was written/directed by people of color, because if a white man was behind it I would cringe myself into oblivion. Based on that premise alone, I'm reiterating the warning at the top of the page: viewer discretion is advised, because sexual assault and racism against people of color is baked into the premise.
I warned you all that this was coming. Yes, I’m back talking about another mockbuster from The Asylum, this one being released just days before Jurassic World: Fallen Kingdom hit theaters. Both movies are about dinosaurs, both have a hardass woman in charge, and both have an unfortunate lack of likable characters. But this one was directed by my nemesis, gay porn star Dylan Vox. Yes, I’m still mad about Vampire Boys!