Sometimes it's hard to put into words why a movie didn't resonate with me. Using a recent example, Antlers was a perfectly fine movie with a pretty basic ending, but it just didn't live up to my expectations. And that's the case with Broadcast Signal Intrusion. The creepy atmosphere is on point, but the ambiguous ending just didn't land. And I'm usually a huge fan of ambiguous endings! So let's analyze what I think didn't work.
durr hburr technology is bad fire is scary and thomas edison was witch
Twisted Pair (2018)
I honestly don't know what to say about this movie. Neil Breen is an auteur with a specific vision on the merging of humanity and advanced technology, and he wants to share that vision with us. Doesn't matter that he's an awful filmmaker and his movies are utterly incomprehensible, I guess.
Every movie is somebody's least favorite movie. That's just the law of averages, in my mind. I can look up just about any movie generally regarded as "good" or "a classic" and find 1 star reviews saying it's boring, or just sucks. But while most people can safely ignore idontknowiknowthatidontknow's review of The Shawshank Redemption, "if this film is #2 of all time, then i am Jesus Christ returning to burn this trash," big names saying they hate a movie they actually were in is worth noticing. Case in point, Mrs. Jamie Lee Curtis has said on multiple occasions that Virus is the worst movie she's ever been in, which is a bold claim to make about a fairly okay movie.
The Matrix Revolutions (2003)
I would like to start this post with a bit of a public service announcement: The Matrix Revolutions is the third film in The Matrix trilogy. I know this may be pretty obvious to some, but I hadn't watched these films in nearly two decades, and since Revolutions and The Matrix Reloaded both came out in 2003--albeit 6 months apart--I was confused as to which one came first. So if you're finding this post and haven't read the one on Reloaded, there's nothing I can do to force you to go back, but I do build off stuff I talked about in that review. We good? Welcome back to Pride Month, which I am celebrating once again by talking about a movie that followed a very queer coded film, but is predominantly straight. Oops.
The Matrix Reloaded (2003)
I honestly considered not reviewing The Matrix sequels during Pride Month. The original film is now widely accepted as a trans allegory--no doubt helped by the creators, Lana and Lilly Wachowski, coming out as trans women in the years since. But my goal was to at least try to watch them with a queer eye, so Pride Month is as good a time as any. Did I find overt queerness in The Matrix Reloaded? Well... not really. Drat.
The Matrix (1999)
As I said in the Strapped post, one of my goals for Pride Month was to review The Matrix trilogy. Sure, it's about a white cisgender guy who falls in love with a white cisgender girl, but the creators are trans women! Well, they are now; Mrs. Lana and Lily Wachowski didn't write and direct The Matrix under those names, but we try not to deadname here, especially during Pride Month. So get ready for a week of trans philosophy! Or really one day of trans philosophy and two of "I think the overall message got a bit muddied as time and sequels went on."
I know I keep talking about it, but The Room is one of my favorite bad movies. Sure, it's awful in just about every way you would judge a film, but the whole thing is so bad it wraps back around to being enjoyable. It's a movie you want to watch with friends. #Horror, however, is bad in an exhausting way. It's not fun, it's not funny, and it's a chore to get through.
Avengers: Age of Ultron (2015)
MCU March is still going strong! With Avengers: Age of Ultron we're just about at the halfway point of the franchise (thus far) and the end of Phase 2. I say "just about" because the actual mid-point (thus far) AND the actual end of Phase 2 both happen to be Ant-Man, but we'll get to that tomorrow. Today we watch Tony Stark continue to make the worst decisions possible!