Survival of the Dead was Mr. George A Romero's last film he directed before passing in 2017. The man is an absolute legend in the horror genre, effectively creating the zombie subgenre as we know it today. Night of the Living Dead will most likely forever be looked at as a classic. As for all his other movies? Wildly varying quality with Survival being one of his worst. Whoops.
This blog has been on a very, very relaxed schedule due to my job. I'm working a lot now, which doesn't give me time to watch as many movies as I used to. Throw in that Movie Night is still online only and we watch two films instead of three, and sometimes I struggle to find something to review for the week. In this particular case, I remembered a trailer I saw a while back and decided to check out that movie. So, uh... long story short, it wasn't a trailer--it was just a very short film. Oops.
If nothing is done soon, global warming and climate change will kill us all. The sea levels will rise, severe weather patterns will become more common, entire ecosystems will be destroyed, and more disastrous things are in our future. Our entire way of life is at risk and there not only are people who are apathetic to these problems, but some actively ignore the warning signs and say nothing is wrong. It's an absolutely maddening situation. And that's basically the plot of Don't Look Up, only it's a comet and not rising global temperatures. Interesting premise, but not the best execution.
I want you all to know that I tried. Around the middle of September (after watching Malignant) I took a break from horror movies. The plan was to go without until October, when I'm going to start the same thing I did last year where it's nothing but horror movies every weekday, with a franchise running throughout the month (last year was October of the Corn). But I'm a horror junkie, man! It's my favorite genre! So I'm starting the spooky spirit early with Willy's Wonderland, a horror comedy starring Mr. Nic Cage. It's dumb!
Man, after being disappointed that Fear Street: 1994 wasn't 10 out of 10 amazing, it's nice to find something like PG: Psycho Goreman, which is absolutely my jam in just about every way possible. Horror? You've got a demonic alien trying to destroy the universe. Black comedy? It's not going to make sense here, but that was the weightiest "You're welcome," in the history of cinema, and it was hilarious. Over the top gore? To an unrealistic degree which wraps back around to enjoyable! Some of the wettest puppets imaginable? Not my particular fetish, but I know this hit the spot for some people.
How do you define an "X movie" where X is whatever trait you're talking about? Is something a gay movie only because it features at least one gay person? Is it still "gay" if they're not the main characters? And is it still "gay" if one of the main actors is gay, but it never comes up so we're not sure if their character also is? I know it sounds like I'm talking around the Beauty and the Beast live-action remake, but that's a chore for some other time. After all, it's still Pride Month, so we're talking about overtly queer movies! Bit is queer, to be sure, largely because the main cast are lady vampires who are into other ladies, but that's not the only reason...
I want to open this post by saying that this is probably my favorite Zack Snyder movie. I know I said that about Sucker Punch, and I still need to revisit 300 and Watchmen to see how I feel about them, but yeah, this is my new favorite of his. Army of the Dead is a zombie film apparently unrelated to Snyder's Dawn of the Dead remake, but it's a fun zombie heist flick to turn your brain off while watching. Unfortunately, my brain is stuck in the "on" position, so there are some things I want to talk about.
All good things must come to an end, and this is especially true of so-so things. Feast was a fun romp, Feast II: Sloppy Seconds overstayed its welcome, and now we have Feast III: The Happy Finish. Is that a sex thing? I immediately think "happy ending," but that would indicate that someone makes it out of this franchise unscathed. Urban Dictionary says it's a handjob thing, so I'm going with that interpretation. And with that lovely mental image, let's finish this.
A good sequel ups the stakes of the original. If it has the same threat and energy level, then it's more of the same and begs the question, what's the point? Feast II: Sloppy Seconds takes the chaotic energy of Feast and absolutely raises it through more monsters, more bloodshed, and more dark comedy of questionable taste. This one has a bit more of a focus on story and characters than the previous one--although just barely--so a kill count would miss some... subtlety. Back to the regular review format, I guess!
Do you ever watch a movie and immediately forget the characters' names? Like, the Friday the 13th reboot was about... uh... Mr. Jared Padalecki looking for... someone, and uh... okay, I remember one of the stoners was named "Chewie," but that's it. Gun to my head I couldn't tell you any of the others' names. Well it's not just me, because that issue is addressed by Feast and its sequels! We have characters with descriptive names that tell you everything you need to know, like Bartender, Beer Guy (Judah Friedlander), Honey Pie, and... Jason Mewes (Jason Mewes)? You get the idea.