Once upon a time, my husband's favorite movie was Scott Pilgrim vs. the World, a video game-themed comedy based on a comic (graphic novel, technically). That makes sense if you know him and I like that movie, too. Then he watched What Happened to Monday, and this dystopian sci-fi thriller became his new favorite. The only thing the two movies have in common is a focus on the number 7. After finally sitting down and watching it, did I also like this film? Well... not really. Sorry, babe.
I would like to start this post with a bit of a public service announcement: The Matrix Revolutions is the third film in The Matrix trilogy. I know this may be pretty obvious to some, but I hadn't watched these films in nearly two decades, and since Revolutions and The Matrix Reloaded both came out in 2003--albeit 6 months apart--I was confused as to which one came first. So if you're finding this post and haven't read the one on Reloaded, there's nothing I can do to force you to go back, but I do build off stuff I talked about in that review. We good? Welcome back to Pride Month, which I am celebrating once again by talking about a movie that followed a very queer coded film, but is predominantly straight. Oops.
I want you to know that there are times when I go above and beyond for this blog. Netflix has the Oh My Ghost films, a Thailand horror/comedy series starring a group of aging kathoeys--kind of like drag queens, kind of like trans women, kind of a third gender option... Similar to "baklâ" in the Philippines, which I talked about in the ZsaZsa Zaturnnah Ze Moveeh post. But I wasn't satisfied with those films, because there's a piece missing. Oh My Ghost is marketed as the first of four films, but it's actually the second of something like six. The first is Haunting Me, AKA Hor Taew Tak, translated to something like Taew's Dormitory is Broken. But Netflix doesn't have Hor Taew Tak, so I spent far too much time searching before finding it on AsianCrush. Let's hope that's a trustworthy website, cause we're continuing Pride Month by taking about haunted ladyboys from Thailand!
Don't you hate it when a movie gets spoiled by its trailer? I can't even begin to count the number of films where I watched the trailer and thought, "Well that's got to be 90% of the plot." Which brings me to Wer, a movie that makes you wonder whether the antagonist is actually supernatural or not, while the trailer flat out says, yeah, he's a werewolf.
With Iron Man 2, the ball is rolling on the Marvel Cinematic Universe, just like the ball that is MCU March! Gotta mention the event in ever post, no matter how awkward! Marvel Studios had achieved success with Mr. Robert Downey Jr. as Iron Man, and The Incredible Hulk did decently with a Tony Stark cameo linking the movies together. The road to the The Avengers continues in this movie by adding a new recurring character and giving a new face/actor to an existing one.
All good things must come to an end, and this is especially true of so-so things. Feast was a fun romp, Feast II: Sloppy Seconds overstayed its welcome, and now we have Feast III: The Happy Finish. Is that a sex thing? I immediately think "happy ending," but that would indicate that someone makes it out of this franchise unscathed. Urban Dictionary says it's a handjob thing, so I'm going with that interpretation. And with that lovely mental image, let's finish this.
Let's finish off a month of the worst movies ever with a classic. I gotta say, after falling in love with B-movie parodies like The Lost Skeleton of Cadavra, I had to keep reminding myself that Plan 9 from Outer Space was absolutely sincere. I mean, assuming the film Ed Wood is to be believed, but that's a key ingredient in making a cult classic. Sincerity in ineptitude is what separates the men from the boys, and Birdemic: Shock and Terror from something like Taintlight.
And here we are at last: October of the Corn has reached the final movie of the Children of the Corn franchise. I mean, at least for now as even coronavirus apparently can't stop the upcoming reboot. But Children of the Corn: Runaway is an interesting one as it's a sequel to 2009's Children of the Corn made-for-TV reboot, but made after Children of the Corn: Genesis, which by all accounts appears to be in the original continuity. Then again, if Scorpion King: Book of Souls can come out after Tom Cruise rebooted The Mummy, the sky's the limit! Enough faffing about, let's finish this franchise.
I want to give this movie some credit: while a lot of found footage movies are incredibly cheap, The Monster Project had a budget for its monsters. I've absolutely seen worse effects in other movies, and the creatures here didn't look like ass. The problem is that this movie is really, really proud of its monsters. It takes every opportunity--once things kick off at the halfway point--to show you them in action. But that becomes a problem, because the more you see clear shots of a creature, the less frightening it becomes. We become inured to it and can grow bored with it. And I know this feels more like a third paragraph thing rather than an intro, but I wanted to get that out of the way first.
Welcome back to October of the Corn! Today we're diving into Children of the Corn V: Fields of Terror. That's right, we're back to numbered sequels that actually feel like they were written with the franchise in mind. What's really interesting about this one is that it feels like an attempt was made to make an enjoyable movie. It didn't really work, but kudos for the effort!