Tag: psychological
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Longlegs (2024)
I was planning to cover something political and trashy in the wake of… you know, but that didn’t manifest in time. But you know what I did watch last week? Longlegs, the new horror film from Mr. Osgood Perkins–son of Mr. Anthony Perkins of Psycho fame–and Mr. Nic Cage. And it was pretty good! So let’s talk about that and ignore our impending doom. Doom, doom, dooooooom…
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Saw V (2008)
I’ve been reading up on the Saw franchise while working through Saw-mhain, and today we have a special treat: Saw V is generally regarded as one of the worst entries in the franchise, and… yeah, I can see that. I feel like we’ve lost the plot and I don’t like Hoffman, so there wasn’t much for me in this entry. I mean, besides Ms. Julie Benz in a terrible, terrible wig. Oh hai, Darla from Buffy and Angel!
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Saw III (2006)
After that brief interlude with Hostel, the main event of Saw-mhain returns with Saw III, a movie I may have seen before? Lot of half-formed memories, which means either I picked up details through osmosis or I had watched it and it just didn’t stick. And after watching/rewatching, it honestly could be either. This wasn’t bad, but it wasn’t super.
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Saw II (2005)
This year’s monthlong Halloween event, Saw-mhain, continues! Saw was incredibly successful, both in terms of cultural influence as well as profitability, so it makes sense that there’d be a sequel. But the very next year? That’s one hell of a turnaround, but this little franchise that could would continue doing that until the seventh film, confusingly titled Saw 3D. Also, this one is the first to be directed and co-written by Mr. Darren Lynn Bousman, who would return to the franchise several times. Hmmmm, why is that name familiar…?
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Saw (2004)
You didn’t think a little thing like a hiatus would stop me from celebrating the entire month of Halloween, did you? My tradition of a yearly October event lives on with Saw-mhain, a pun that works best if you know Irish /Gaeilge. Oh yes, the syllable break of Samhain (SAH-win) is Sa-mhain, because fuck you, that’s why. Gaeilge is a bastard language.
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Smile (2022)
You ever see a movie and just assume it’s not going to be good? Smile is all about creepy smiles! Oooh, I’m shaking in my boots… Plus, they showed what is most likely the best jumpscare in the trailer–if you know, you know–so what else is there? But I heard reviews were rather positive for this film. Was it actually worth watching? Or did it make me hate myself like that awful, awful movie Smiley? Writers call that a hook!
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Hellraiser (2022)
Last year for October I watched all the Hellraiser films as part of The Hellbound Halloween. That’s 10 movies about Pinhead and his fellow cenobites, with a brief break near the end because holy shit they somehow got progressively worse as time went on. So when I heard that the long-awaited Hellraiser reboot was dropping in October, I knew I had to talk about it. And so here we are on a Saturday while the weekdays are taken up by October of the Living Dead.
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Devour (2005)
Even with Movie Night taking a hiatus and then back with a relaxed schedule for a while, I still watch a lot of movies in a year. I don’t mean that so much as a brag, but as a defense in this case. Devour is a psychological horror film starring Mr. Jensen “Dean Winchester” Ackles, and its poster caught my eye enough that I put it on for Movie Night. Simple enough, right? Well, turns out we had watched it back in 2018 and none of us remembered a single detail about it. Not the best look!
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Twisted Pair (2018)
I honestly don’t know what to say about this movie. Neil Breen is an auteur with a specific vision on the merging of humanity and advanced technology, and he wants to share that vision with us. Doesn’t matter that he’s an awful filmmaker and his movies are utterly incomprehensible, I guess.
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Run (2020)
Trailers lie all the time. Sometimes it’s for good reasons, like Avengers: Infinity War hiding how many Infinity Stones Thanos had when he fought Captain America. And sometimes it’s for bad reasons, like Slender Man cutting a bunch of scenes that would explain what the hell was going on while apparently forgetting that they were left in the trailers. Then you have a movie like Run which lies like a fucking pro.