I love The Blair Witch Project. It's one of my favorite films (that I weirdly don't own), but it's by no means a perfect movie. Writers/directors Mr. Eduardo Sánchez and Daniel Myrick got amazing performances out of the small cast but through some rough means. And its financial success (under half $1 million budget against a $248.6 million box office) convinced every jackass with half an idea and a home movie camera that they too could make a found footage movie. But with those quibbles out of the way, now is my time to gush.
Ha ha HA!! I bet you saw the title and thought to yourself, "Oh thank god, he's finally done with all that Mothman shit." WELL THINK AGAIN, DEAR READER!! Turns out Tubi had one last movie with Mothman, and this time there's an actual Mothman in it! Sure, it was for two seconds, and it was actually a dream, and it looked like garbage, but still!
So a friend of mine enjoys a theory about The Blair Witch Project that says there was nothing supernatural in the movie at all; Josh and Mike were faking everything to fuck with Heather. While I can see someone having that galaxy brain take, I'm personally not a fan. Not that I'm opposed to fakeouts like that! It's just that when a movie intentionally goes for a twist like that it has to be done with care, otherwise you get something shitty like The Turning. Why bring this up when I'm going to be talking about yet another Mothman movie? Well...
According to WordPress internal tracking, this is my 100th post! Huzzah! Sure, a number of those are “basic information” posts, but still! I’ve been at this for almost half a year now, so I think we can say this has been a successful experiment. And with that, we’re done! Thanks for coming, see you on my next flight of fancy!
This is–apparently–a very divisive movie. Looking up online ratings and reviews, it sure seems like most of the people who watched YellowBrickRoad hated it. But I don’t get that at all; I adore this movie, warts and all.
Mr. Oz “Osgood” Perkins (son of Psycho actor Anthony Perkins) has directed 3 movies now, Gretel & Hansel being his most recent and the only one he didn’t write, so it’s hard for me to say he has a specific “director trademark.” All three movies are a bit slow (some slower than others) and there is a tendency towards awkward narration. But where I thought I Am the Pretty Thing That Lives in the House was okay and The Blackcoat’s Daughter was pretty good, I adore Gretel & Hansel.