And here we are at last: October of the Corn has reached the final movie of the Children of the Corn franchise. I mean, at least for now as even coronavirus apparently can't stop the upcoming reboot. But Children of the Corn: Runaway is an interesting one as it's a sequel to 2009's Children of the Corn made-for-TV reboot, but made after Children of the Corn: Genesis, which by all accounts appears to be in the original continuity. Then again, if Scorpion King: Book of Souls can come out after Tom Cruise rebooted The Mummy, the sky's the limit! Enough faffing about, let's finish this franchise.
I want to give this movie some credit: while a lot of found footage movies are incredibly cheap, The Monster Project had a budget for its monsters. I've absolutely seen worse effects in other movies, and the creatures here didn't look like ass. The problem is that this movie is really, really proud of its monsters. It takes every opportunity--once things kick off at the halfway point--to show you them in action. But that becomes a problem, because the more you see clear shots of a creature, the less frightening it becomes. We become inured to it and can grow bored with it. And I know this feels more like a third paragraph thing rather than an intro, but I wanted to get that out of the way first.
Welcome back to October of the Corn! Today we're diving into Children of the Corn V: Fields of Terror. That's right, we're back to numbered sequels that actually feel like they were written with the franchise in mind. What's really interesting about this one is that it feels like an attempt was made to make an enjoyable movie. It didn't really work, but kudos for the effort!
A monster's design can make or break a movie. There are countless times where I've been watching a movie and once the dreaded beast is shown to the audience it's... bad. Sometimes REALLY bad. So I want to start off by saying that the majority of the monsters in Digging Up the Marrow look great! It's just a shame that they couldn't be in something better.
The Brendan Fraser Mummy franchise is dead, but it's legacy lives on in the spinoff, The Scorpion King, and it's 4 direct-to-DVD sequels. Seriously, the fifth one came out two years ago. Having a spinoff of The Mummy Returns does make some sense as Mr. The Rock was only in that movie for about 4 minutes, and then sort of again at the end when his poorly rendered face is on the big scorpion monster. I mean, you got a popular wrestler before he became a big time movie star, and you barely feature him? No no no, he's got to have a film all his own!
The week of “movies I’ve been dragging my feet on watching” is wrapping up, so let's watching something that I was putting off because I knew it would make me uncomfortable! The premise of The Breeding is pretty simple: a white racist kidnaps a black gay man with the intention of torturing him until he submits to being a slave. Thank god this was written/directed by people of color, because if a white man was behind it I would cringe myself into oblivion. Based on that premise alone, I'm reiterating the warning at the top of the page: viewer discretion is advised, because sexual assault and racism against people of color is baked into the premise.
And here we are, the last of the Burton/Schumacher tetralogy. I got a lot to say, so let’s jump right in.
It’s time for another Mummy Monday review! Released the same year as The Mummy’s Ghost, this movie takes place 25 years later in a (the?) bayou. Didn’t the last movie have Kharis walk into a Massachusetts swamp? Doesn’t a 25 year time jump a few movies after a 30 year jump mean this movie takes place around the year 1999? It’s best not to ask too many questions, you’ll only get your hopes up.
Welcome back to Mummy Monday! This week we’re talking about The Mummy’s Ghost, a sequel set right after The Mummy’s Tomb that doesn’t feature any ghosts. But the Mummy is back! Somehow! Again, don’t question it.
Movie adaptations of Mr. Stephen King’s books are really hit or miss. Some like The Shining become classics, while others like The Langoliers have flying walnuts with teeth. I feel like Dreamcatcher is closer to the latter, mostly because the aliens here are fungal dick snakes with vagina dentata mouths that burst out of your ass.