What's this? A surprise Thursday post? That's right, it's time for another month-long event! Every weekday in October I'll have a horror movie post ready for you, dear reader(s). In previous years I've done personal things like "Chwineka Watches 31 Netflix Horror Movies for October" (or CW31NHMO for short), but ain't nobody got time for posting EVERY day. Also I have far more streaming services at my fingertips, so movies will be coming from all over the internet. Anyway, let's start the month off with something actually good: Robert Eggers' second movie, The Lighthouse.
I mentioned this film back in June when I was watching the Pioneers of Queer Cinema bundle (specifically 1924's Michael in this instance), but it's finally time to talk about Anders als die Andern, AKA Different from the Others, the first film ever made with a pro-gay message. Yay for queer history!
What's worse than a Mothman movie with a bad Mothman? A Mothman movie that doesn't have any Mothman! Yeah, we're still on America's second favorite cryptid (I'll get to you another day, Bigfoot), and today's movie is just... bad. Astonishingly bad. So bad that I'm skipping a normal recap and just ripping right into the fucker.
And we have reached the last film in the Pioneers of Queer Cinema bundle! I really do recommend checking these films out, and I believe that the day I post this review (Friday, June 26th) is the last day all three are available. But when/if you purchase a movie you have between 5 and 10 days to watch it, depending on whether you pick an individual movie or the bundle. Okay, enough unpaid shilling, let’s talk about Michael, a the gay silent film of the trio.
And we’re back with the second film in the Pioneers of Queer Cinema bundle, Mädchen in Uniform, AKA Girls in Uniform. This is a very lady power movie: based on a play by a female writer, this has a female director and I’m pretty sure not a single man appears in the film. Very rare by today’s standards, but this was made in 1931 so I guess there’s another reason our current world sucks. Anyway…
Eagle-eyed readers may have noticed that there have been more reviews tagged “queer” than usual lately. That’s intentional and in honor of Pride month! There are no pride parades or celebrations I feel comfortable attending this year, so it’s down to watching a bunch of gay movies. And it turns out others have the same idea! My local indie theater is participating in Pioneers of Queer Cinema, showing a trio of very old queer films this month, and that’s our theme this week. We start with Viktor und Viktoria, the 1933 German musical that inspired the 1982 Mrs. Julie Andrews classic, Victor/Victoria.
Have you ever talked about a thing with someone, and while you’re describing it they go, “Oh yeah! That’s THIS THING!” And you’re like, “I’ll have to take your word for it, but sure”? It happened to me once when I was describing a mobile game and was told, “That’s just Candy Crush but with a Sailor Moon theme,” and it was the same with Cyrano de Bergerac. Yes, this is a super vague hint of what’s coming Wednesday, but first…
Let’s take a break from Batman movies for a little bit and review a movie that influenced Batman. Ever hear of a character named “the Joker?” Real deep cut reference, I know, but by all accounts this is the movie that inspired the creation of the iconic villain.
Mummy Mondays have reached the last movie in the Universal Classic Monsters group: Abbott and Costello Meet the Mummy. The horror genre is tossed aside in favor of comedy (and random dance and singing interludes). And you know what? It works.
It’s time for another Mummy Monday review! Released the same year as The Mummy’s Ghost, this movie takes place 25 years later in a (the?) bayou. Didn’t the last movie have Kharis walk into a Massachusetts swamp? Doesn’t a 25 year time jump a few movies after a 30 year jump mean this movie takes place around the year 1999? It’s best not to ask too many questions, you’ll only get your hopes up.