Okay, so this one might need a little explaining. I am a "geriatric millennial," a term I saw once and cannot get out of my head, which in this case means I was on the internet back in the heyday of anime music videos, or AMVs. People would take anime clips and cut them together with a song and at the time it was high art. One AMV that stuck with me was Kusoyaro mashing up Bjork's "Bachlorette" with the film Shōjo Kakumei Utena Aduresensu Mokushiroku, AKA Revolutionary Girl Utena: Adolescence of Utena. It's my favorite AMV and the reason why I include "I'm a fountain of blood in the shape of a girl" on most of my social profiles. But I'd never actually seen Utena, so when a friend gave me access to his I got my own Funimation account, I figured it was time to fix that starting with the show that came before the movie. Time to look at some vintage 90's girl power that isn't Sailor Moon!
Today's post was supposed to be about literally any other show. Now that I've finished the first season of Higurashi no Naku Koro ni, AKA When They Cry, the sky was the limit! Do I jump back into superhero shows with the first season of Arrow? Start on something I love like Scooby-Doo! Mystery Incorporated? Or pull out something weird from my DVD collection like Sherlock Holmes in the 22nd Century? But no, while looking up... I honestly don't remember what, I discovered the existence of the Canadian cartoon My Life Me, and I haven't been able to get it out of my head ever since. Is it good? Not really, but it has a siren's song on my soul. So here we are, talking about a show I bet literally none of you have ever heard of. On brand for me, but still.
We're back after a short break with more episodes of Higurashi no Naku Koro ni, AKA When They Cry. Last time was the Cotton Drifting arc, focusing on Mion and her surprise twin sister, Shion. Turns out Mion is the heir to the local yakuza and is in one way or another responsible for every death and disappearance associated with Oyashiro-sama's curse. Oh, and she has a demon inside of her, which might be different from the reason the she and Rena were acting creepy during Spirited Away by the Demon. These next five episodes--the Curse Killing arc--focus on Satoko, a character whose tragic backstory hasn't been fully fleshed out yet. By the end of this you might wish that was still the case...
Ant-Man was the epilogue to Marvel Cinematic Universe's Phase Two, and Spider-Man: Far From Home is the epilogue to its Phase Three. But while Ant-Man didn't really have much to do with the previous film, Avengers: Age of Ultron, Far From Home is a direct continuation of Avengers: Endgame. Tony Stark is dead. Long live the... new Tony Stark? Heavy is the head that wears the crown, and it's got to be especially heavy for a 16-year-old kid from Queens. Enough purple prose, let's wrap up MCU March!
Once upon a time in the far away land of 1996, Marvel Entertainment was facing bankruptcy. One step of staying afloat was selling the movie rights to their most popular characters--Sony got Spider-Man, 20th Century Fox got the X-Men, and so on. Marvel kept the rights to the B-tier team the Avengers and against all odds successfully managed them into the most successful franchise ever. Over time film rights expired and went back to Marvel, or companies were just bought out. But Sony kept making Spider-Man movies so they kept the rights. Which is to say that Spider-Man: Homecoming is a weird and somewhat unique movie in terms of licensing the character. MCU March continues with the first film in the trilogy of the third incarnation of the live action Spider-Man!
When we last left Higurashi no Naku Koro ni, AKA When They Cry, three of the five main characters were dead. Keiichi murdered Rena and Mion in self-defense, but the drug they injected him with made him rip out his own throat, eventually dying from blood loss. So... what now? Do we continue the story with the survivors, Rika and Satoko? Does detective Oishi take a main role in investigating the strange and possibly supernatural happenings at Hinamizawa? Nope! We're going to pretend the first arc never happened! Let's get weird and homicidal (again) as we look at the second story arc, Cotton Drifting.
Let's try something a little different. Disney+'s release schedule for new shows is pretty tight, with episodes releasing weekly followed by a making-of documentary and kicking off with a new series the week after. For the time being I'm going to skip the Star Wars shows, but that still means that the majority of these Saturday posts will be tied up with the MCU, not leaving much time for anything else. Well, I'm instituting a new policy for the blog: when I'm in the middle of reviewing the latest MCU show on Saturdays, a completely different show's posts will go up as a bonus on Sundays. Does this mean that the last half of the month will have a post every single day thanks to MCU March? Yup! Will I regret this? Probably! But enough of that, let's talk about child murder.
Alright! A day late, but we're here! The long-awaited sequel to The Craft! I'm sure somebody wanted this, right? Anyway, 24 years later we have a... sequel? Soft reboot? An Evil Dead 2 of a movie. But how is it? Is this a movie that needed to be made? I'll get to that eventually.
For a lot of people my age--Millennials that are very close to the Generation X divide--the 90's are a nostalgic time. Things were better back then, right? Or at least we didn't have the maturity and capacity to understand how things were not good, haven't been good for a long time, and that a lot of our current problems have roots back then. But, uh... at least the movies back then were good? Some of the movies. Okay, so this and a couple other movies that nostalgia goggles convince us were good. This intro is getting away from me... SO YEAH ANYWAY, HOW ABOUT THE CRAFT?
When a friend told me about Triggered, I was confused why she was drawing my attention to a film about kids in the woods with bombs around their necks. But that's 2020's Triggered; 2019's Triggered is about a social justice warrior murdering people. That made a bit more sense given my tendency to watch the worst movies. But maybe this was a parody made in good faith? Maybe the message isn't just, "she's a deranged person who's doing all this for attention." But then I saw it, and unfortunately that's absolutely the message. Well fuck me, I guess.